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An early 19th century innovation, chiffoniers continued to be made virtually until the end of the Victorian period. It usually consists of a two-door cupboard, with a long cutlery drawer and a shaped back, with one or two shelves, supported by spindles for ornaments and such like.

Regency chiffoniers were quite small and delicate, with the doors often decorated with pleated silk behind brass grilles. The backs were usually square, sometimes with a triangular pediment, although from the 1820s they often featured the carved Regency scroll.

Many Australian cedar versions have simple Doric columns and recessed panelled doors. Victorian more... chiffoniers tended to take on the characteristics of the Rococo revival with a notable increase in carved ornament and scrollwork around the serpentine-shaped backs, and the size became more substantial. Some were of breakfront design.

During the later part of the 19th century, they tended to supplant the sideboard in many dining rooms. While some early chiffoniers had marble tops, usually white in colour, most available on the Australian market have solid timber tops. less...

There are several distinct types of sideboard. The Georgian sideboard was a long narrow table, fitted with cutlery drawers and cellaret cupboards, used as a serving table in dining rooms. Most examples are at least five feet long.

Although sideboards date from the mid-18th century, their development is usually associated with the designs of Sheraton. Sideboards may be straight fronted, curved at either end, or sometimes have a recessed breakfront. The latter was partly to lighten the effect of a large piece of furniture and partly, writes Sheraton, 'to secure the butler from the jostles of the other servants' more... .

The central portion of the sideboard, beneath the long drawer, was usually arched with semicircular lunettes, either carved or often strung. The legs were sometimes turned, but more generally were tapered, often standing on spade or block feet. Georgian sideboards always have six legs one at each corner, one on either side of the central recess. Four legged sideboards were not introduced until the second decade of the 19th century.

Sideboards were usually made of well-figured mahogany or, in Australia, cedar or beefwood veneer, though very few colonial examples appear to have survived. They were sometimes cross banded, strung and inlaid with decorative panels of contrasting timber.

Another type of sideboard appeared in the late 19th century, based more or less on the Renaissance revival forms associated with designers Talbert and Eastlake. It consisted of a two-door cupboard, usually panelled and carved, with a mirrored back, containing shelves and a hutched or overhanging cornice, supported by turned or carved columns.

There are many variants, but the lines and angles were much squarer, handles were often of pressed metal alloy, and by the time the sideboard reached its full Edwardian flowering, it often boasted broken or swan-neck pediments, reeded and fluted decorations, and shallow machine-made carvings of shells, rosettes and other foliage.

The style continued to be made in mahogany, oak, maple, pine or cedar until after the first world war. During the 1920s, and under the influence of the modern movement, furniture forms became much simpler and less cluttered, taking on the characteristics pioneered by the Arts and Crafts designers a third of a century before. It should always be remembered that it may take a generation before an original design, breaking with tradition, becomes fully established in popular taste.

From around 1900 the size of sideboards began to decrease, in order to fit the smaller dining rooms of the day, although this example would still require a substantial room to display it properly. less...

Edwardian style mahogany chiffonier with mirror back and carved…
Mahogany Chiffonier with Mirror and Carved Panels

Edwardian style mahogany chiffonier with mirror back and carved panels, divides into 2 parts for removal, 62.99 in. wide, 19.69 in. deep, 90.16 in. high

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Edwardian pine chiffonier 99 cm wide, 43 cm deep, 171 cm high
Edwardian Pine Chiffonier: 99x43x171cm

Edwardian pine chiffonier 38.98 in. wide, 16.93 in. deep, 67.32 in. high

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Edwardian mirror back chiffonier divides into 2 parts for…
Edwardian Mirror Back Chiffonier - 2 Part Removal

Edwardian mirror back chiffonier divides into 2 parts for removal, 60.63 in. wide, 16.93 in. deep, 80.31 in. high

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Edwardian pine chiffonier in two pieces. With mirror over two…
Edwardian Pine Chiffonier with Mirror and Two Drawers

Edwardian pine chiffonier in two pieces. With mirror over two drawers and two door base. 47.64 in. wide, by 16.93 in. deep and 81.10 in. tall. With key.

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Edwardian pine mirror back chiffonier with 3 drawers and 3…
Edwardian Pine Mirror Back Chiffonier with Carved Doors

Edwardian pine mirror back chiffonier with 3 drawers and 3 carved doors, divides into 2 parts for removal, 54.33 in. wide, 23.03 in. deep, 85.04 in. high

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Edwardian pine chiffonier, with mirrored back and carved timber…
Edwardian Pine Chiffonier with Mirrored Back and Carvings

Edwardian pine chiffonier, with mirrored back and carved timber panels, 47.24 in. wide, 75.98 in. high

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Edwardian walnut chiffonier mirrored back with shelves above…
Edwardian Walnut Chiffonier with Mirrored Back and Shelves

Edwardian walnut chiffonier mirrored back with shelves above three drawers & three doors, 56.30 in. wide, 21.26 in. deep, 79.53 in. high

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Edwardian ebonised rosewood chiffonier ornately carved, shelves…
Ornate Edwardian Ebonised Rosewood Chiffonier with Mirrored Shelves

Edwardian ebonised rosewood chiffonier ornately carved, shelves and 6 mirrored back above a drawer and glass door with fretwork, flanked by open shelves, 92.52 in. high, 53.54 in. wide

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West Australian Art Nouveau style chiffonier c. 1910 and later,…
Art Nouveau Chiffonier with Carved Motifs

West Australian Art Nouveau style chiffonier c. 1910 and later, maker unknown, south West region jarrah, pine and sheoak construction, with two half turned side columns, brass handles, top shelf supported by four turned spindles, carved Art Nouveau motifs,

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