These items have been sold, and the description, image and price ($US) are for reference purposes only.

More correctly known as longcase clocks, these are clocks with a hooded pendulum, housed in a tall enclosed case, about seven feet high.

Introduced during the latter part of the 17th century, the longcase clock has remained popular to the present day.

As a general rule, the designs of the clock cases followed the stylistic developments of the past three centuries. Late 17th and early 18th century clocks inspired the cabinetmaker to extraordinary heights in the art of marquetry inlay, very often in the complex and intricate 'seaweed' patterns.

Other clocks were lacquered and decorated with gilded chinoiseries. Chippendale's designs followed the prevailing flowing lines of the Rococo, with quantities of scroll work, frets, pagodas, urns and rams' heads. Those of the Neoclassical period showed a return to simpler, straighter lines, often enhanced with panels of well-figured inlay, lines of stringing, swan-neck pediments and brass finials.

The more... finest clocks were often veneered in walnut or mahogany, but many country clocks made from honest oak have survived.

Until the late 18th century, most clocks had brass or silvered dials highly chased or embossed in the spandrels (that is, the corners of the clock face). During the last quarter of the century, however, the painted enamel face was introduced, and by the 1820s had gained predominance among clockmakers.

Longcase clocks built in the 18th century manner usually have fairly long cases between the hood containing the dial and mechanism and the base plinth. During the 19th century, the plinths tended to become larger and the vertical pendulum case much shorter, thus altering the proportions. Longcase clocks made during the 1830s and 1840s often look quite stubby, even though the overall height remained much the same.

Australian longcase clocks dating from the colonial period are very scarce and very expensive. The best known of the early colonial clockmakers was James Oatley, but even of his work little more than a dozen clocks are known to have survived.

If purchasing, it is important to verify that the hood, works, and dial are original to the remainder of the case. A careful check is required for the fit of all components, old screw holes, and timber additions or repairs.

'Grandfather clock' did not come into general use until the popularity of the song 'My Grandfather's Clock', written in 1878. A grandmother clock is a smaller version of a grandfather or longcase clock, usually late Victorian or 20th century. less...

A Scottish mahogany long-case clock, maker John Hamilton…
Scottish mahogany long-case clock by John Hamilton, circa 1820

A Scottish mahogany long-case clock, maker John Hamilton Glasgow, circa 1820, silvered dial with brass circle at the top for the makers name Two train weight driven movement, with key for door, two lead weights

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A Regency mahogany longcase regulator, with a pediment top…
Regency mahogany longcase regulator with silvered dial and crystal pendulum

A Regency mahogany longcase regulator, with a pediment top above a cornice, the silvered dial with Arabic minutes and subsidiary hour dial with Roman numerals and seconds dial with Arabic numerals, above a glazed trunk door, the pendulum with crystal shaft

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A George III flame mahogany inlaid long case clock, D. Tickle,…
George III Flame Mahogany Inlaid Long Case Clock, Newcastle 1820

A George III flame mahogany inlaid long case clock, D. Tickle, Newcastle, circa 1820, the cornice with dentil detail over a painted enamel Arabic dial, side column feature above a slender trunk with arched door to an extended base, 8 day bell strike with a

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Regency mahogany longcase clock by T and R Noble of bath the…
Regency Mahogany Longcase Clock by T&R Noble of Bath

Regency mahogany longcase clock by T and R Noble of bath the arched hood with spiral and acanthus leaf columns, silverised dial with Roman and Arabic numerals, the trunk with spiral and acanthus leaf columns and ebony stringing, gadrooned base on dwarf bra

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Long cased clock early 19th century, English oak & mahogany by…
Regency Oak & Mahogany Long Case Clock by C. Eboral

Long cased clock early 19th century, English oak & mahogany by C Eboral of Warwick, Regency period, white painted metal face with hand painted harvest motifs, Spandrels & sea shell to arch, height 92.13 in.

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Long cased clock early 19th century, c1820, English flame…
Regency Flame Mahogany Long Case Clock (a/f)

Long cased clock early 19th century, c1820, English flame mahogany, maker unknown, Regency white painted metal face with painted Sprandrels & arch, subsidiary seconds & date dials, height 100.79 in., (a/f)

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Georgian mahogany longcase clock the movement by Stephen…
Georgian Mahogany Longcase Clock by Stephen Wilmshurst (1760)

Georgian mahogany longcase clock the movement by Stephen Wilmshurst of Reading circa 1760, brass silvered dial with eight day strike. Later Regency mahogany case with unusual cylindrical trunk, height 87.99 in.

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A Regency mahogany longcase clock, having a painted dial with…
Regency Mahogany Longcase Clock with Arched Hood

A Regency mahogany longcase clock, having a painted dial with Roman numerals, seconds and date subsidiary chapters, all in an arched hood with swan neck pediment, above the panelled door enclosing original pendulum and weights, 85.83 in. x 21.65 in. x 9…

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A large flame mahogany longcase clock, early 19th century, with…
Flame Mahogany Longcase Clock with Regency Woman Image

A large flame mahogany longcase clock, early 19th century, with maker's mark of Jn hall Snr of Coventry, the clock with an arched broken pediment, a painted metal dial with Arabic numerals, a secondary dial and date aperture, with shell painted spandrels a

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Antique Georgian inlaid mahogany longcase clock, the arched…
Georgian Inlaid Mahogany Longcase Clock by Jas Simpson Lincoln

Antique Georgian inlaid mahogany longcase clock, the arched hood fitted with a painted arched dial, by Jas Simpson Lincoln, with sub seconds and calendar apture, the hood fitted with fluted columns, circa 1820, standing approx 87.01 in. high

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An exquisite early 19th century Northern English oak and…
Antique Oak & Mahogany Long Case Clock, C.1820

An exquisite early 19th century Northern English oak and mahogany long case clock by makers B. Mitchell, Cockermouth, hand painted dial with date mechanism C.1820

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An important Australian cedar and casuarina longcase clock by…
James Oatley Longcase Clock, No. 23, 1822

An important Australian cedar and casuarina longcase clock by James Oatley, circa 1822, No 23, by James Oatley, circa 1822, No 23 the hood with a swan neck pediment with three brass ball finials over a cedar and pine strung door, flanked by freestanding re

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A George III mahogany musical longcase clock, 8 bells, 16…
George III Mahogany Musical Longcase Clock with Engraved Moon Face

A George III mahogany musical longcase clock, 8 bells, 16 hammers, playing tunes on the hour and chiming on the 1/4 hour, finely engraved moon face with applied Roman numerals, subsidiary dials for silent strike and 2 tunes, subsidiary seconds dial, date a

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A highly important early Colonial Australian cedar longcase…
1820 James Oatley Colonial Australian Cedar Longcase Clock

A highly important early Colonial Australian cedar longcase clock by James Oatley, Sydney 1820, the dial inscribed 'Oatley Sydney 1820', the hood with a swan neck pediment over a circular casuarina veneered door, flanked by freestanding twisted reeded colu

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