Sunlit Ships
Allan C. Glover (Australia 1900-84) Sunlight and ships, etching, 46/50, signed lower right, 7.48 in. x 10.24 in., with an intricate carved and cut leather frame of Australian Natives design
Sydney Views: Etchings of Iconic Landmarks
Nine etchings depicting views of Sydney, including 'North head from Vaucluse,' 'Sydney from old Point Piper,' 'Sydney Cove,' 'Bridge Street looking East,' 'Sydney from Milson's Point,' 'Goat Island,' and 'Sydney harbour from Watson's Bay,' (9)
Pair of Brunn Lithographs, 19th Century
Pair of 19th century framed lithographs of Brunn, c.1830, one depicting an overall view of city from field, the other a church, 7.48 in. x 10.24 in. (2)
Royal Visit to Science Academy
Early copper engraving 'Academy des Science,' depicting a scene of visiting royalty surrounded by objects and skeleton, 16.93 in. x 12.60 in.
Goldie Print: A Good Joke
A C.F. Goldie print, A Good Joke'. Provenance: The estate collection of Michael Higgs, [Tribal Artefacts, Polynesian Arts & Crafts, Private & Museum Supplies Specialist], $50.00, [BL954-0024]
Hand-Coloured New Zealand Scenes by Whites Aviation Limited
A pair of Whites photographic prints, Lake Wakatipu & Kaikoura coast, hand-coloured, from the collection of New Zealand scenes in the library of Whites Aviation limited, 'New Zealand pictures of outstanding beauty and in glorious colours'. Entitled lower l
Garth Tapper's Signed Screenprint: Prosecution (51/99)
Garth Tapper, Prosecution', screenprint 51/99, signed and entitled. 8.66 in. x 5.91 in. unframed
Sentimental Interlude Etching by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), a Sentimental Interlude, facsimile etching ed. 180/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 7.87 in. x 10.16 in.
Beauty's Honour
Norman Alfred Williams Lindsay, (1879-1969), Beauty's Honour, facsimile etching ed.185/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 12.99 in. x 10.04 in.
Beauty's Fortune
Norman Alfred Williams Lindsay, (1879-1969), Beautys Fortune, facsimile etching ed. 165/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 12.91 in. x 10.39 in.
"Julia's Monkey" by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), Julia's monkey, facsimile etching ed. 209/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 7.09 in. x 9.06 in.
"Charles" by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), Charles, facsimile etching ed. 194/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 10.47 in. x 12.36 in.
N.A.W. Lindsay's Toilet
Norman Alfred Williams Lindsay, (1879-1969), toilet, facsimile etching ed. 380/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 6.38 in. x 5.43 in.
"Promise" by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), Promise, facsimile etching ed. 482/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 10.12 in. x 5.91 in.
The Pearl Headdress
Norman Alfred Williams Lindsay, (1879-1969), the pearl headdress, facsimile etching ed. 435/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 4.57 in. x 3.94 in.
Blonde & Brunette Facsimile Etching by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), blonde & Brunette, facsimile etching ed.298/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 4.13 in. x 7.09 in.
"Julia" Etching by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), Julia, facsimile etching ed. 207/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 6.50 in. x 4.61 in.
"Courtesan" by N.A.W. Lindsay
Norman Alfred Williams Lindsay, (1879-1969), courtesan, facsimile etching ed. 91/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 5.47 in. x 4.92 in.
"Black Hat" by Norman Lindsay
Norman Alfred Williams Lindsay, (1879-1969), the black hat, facsimile etching ed. 206/550, embossed seal lower right, Odana Editions signed certificate of authenticity verso, 6.38 in. x 4.88 in.
Floral Engraving and Sketch of a Woman
F W Smith, Epacris Imprefsa, handcoloured engraving, Annie Deig, after the unknown Lombard, pen & ink and a sketch of a woman [3], 15.55 in. x 12.60 in. largest overall
Wildflowers by Window
Neroli weaver, (b.1965), Wildflowers near Window 1995, handcoloured linocut, signed, titled & dated lower right, 43.90 in. x 30.31 in.
"The Radiant Strand" by Alun Leach-Jones (silkscreen print)
Alun Leach-Jones, (1937-2017), The Radiant Strand 1997, silkscreen ed. A/P printer: Michelle Perry, signed lower right, 15.75 in. x 41.34 in.
Wildflowers by Window
Neroli weaver, (b.1965), Wildflowers near Window 1995, handcoloured linocut, signed & dated lower right, 43.90 in. x 30.31 in.
Desert Dawn Reflections
David Geoffrey Voigt, (b.1943), Reflections at the Desert Dawn, colour etching ed. State III, signed & dated lower right, 17.72 in. x 23.62 in.
Capricornia #5 by Alun Leach-Jones
Alun Leach-Jones, (1937-2017), Capricornia #5, silkscreen ed. 3/50, signed lower right, 20.67 in. x 15.16 in.
Revisited Objects
Alun Leach-Jones, (1937-2017), Revisited objects #I 1988, silkscreen & woodblock ed. 91/100, signed lower right, 21.26 in. x 18.11 in.
Siny Anteater and Iris
Pamela Anne Griffith, (b.1943), Siny ant Eater & native iris, colour etching/aquatint ed. A/P, signed lower right, 23.82 in. x 17.72 in.
Picnic at Como
Pamela Anne Griffith, (b.1943), picnic spot Como NSW, colour etching/aquatint ed. 18/25, signed lower right, 17.72 in. x 23.82 in.
Stellar Parallax Absent
Michael Kempson, (b.1961), Absense of Stellar Paralax' 1987, colour etching/aquatint ed. 2/30, signed & dated lower right, 19.69 in. x 14.57 in.
Tropical Garden on Bedarra Island
Helen Wiltshire, (act.1980s), tropical garden Bedarra Island 1991, silkscreen ed. 79/99, signed & dated lower left, 21.46 in. x 29.53 in.
Golden Plain Etching by Trevor Riach
Trevor Riach, (b.1958), golden plain, colour etching/aquatint ed. 8/40, signed lower right, 17.72 in. x 24.02 in.
Beckett's Boatsheds: Silkscreen Edition
After Clarice Marjoribanks Beckett, (1887-1935), the Boatsheds, silkscreen ed. 46/75, unique Editions embossed seal lower right, Certicate of authenticity verso, 18.11 in. x 26.38 in.
Transcendental Journey
Christine Cordero, (c.1940), Transendental Journey 2001, colour etching/aquatint ed. 9/9, signed & dated lower right, 10.43 in. x 11.22 in.
Le Fil Musical
Bernard Louedin, (b.1938) France, Le fil musical 1997, colour etching/aquatint ed. 29/40, signed lower right, 6.89 in. x 9.25 in.
Hay Crows Etching by Anthony Deigan
Anthony Deigan, (b.1945), Hay Crows 1975, colour etching/softground ed. 6/25, signed & dated lower right, 13.39 in. x 20.08 in.
Rocky Cornish Coast
N Ward, (20th century) Britain, big rock and Cornish coast 1980 [2], colour etching/aquatint ed. 25/100, 34/100, signed & dated lower right, indistinct, 23.23 in. x 16.14 in.
Port Jackson Entrance
James Fittler, (1758-1835), Sydney, New South Wales, with the entrance into Port Jackson, handcoloured engraving pub. Sherwood & Co, August 1 1821, 6.69 in. x 8.74 in. sight
St Bernard's Hill, Handcoloured Lithograph by Leitch
William Leighton Leitch, (1804-1883) Britain, St Bernard's hill, handcoloured lithograph, signed in plate lower left, titled in plate lower right, 11.02 in. x 15.16 in.
Autumn Etching by Y. Bau
Y. Bau, (20th century), autumn, etching/deep bite/softground/aquatint ed. 4/50, signed lower right, 29.72 in. x 22.05 in.
English & American Art Gallery Steel Engravings (1870)
Sherer, John (ed) English and American Art gallery, London. John G.Murdoch (1870), steel engravings with tissue guards, folio, full leather, blind-stamped gilt, gilt edges, foxing & some wear. Provenance: the Badgery family, 16.73 in. x 12.60 in.
![[Landseer, Sir Edwin] the works of Sir Edwin Landseer…](https://img.carters.com.au/640x640/67fa3963c7e3c76f76c95f326b8c8113.webp)
Landseer's Illustrated Works with Art-Life History
[Landseer, Sir Edwin] the works of Sir Edwin Landseer illustrated by Forty-Four steel engravings, with a history of his Art-Life by W.Cosmo Monkhouse. London, Virtue and Company c.1880, full leather, gilt decoration & edges, worn & foxing throughout, some
Panoramic View of Sydney, 1879
Panoramic view of Sydney, New South Wales engraved by Horace Harral, Published as a supplement to The Graphic, Dec. 27, 1879. Attractively framed & glazed, overall 15.35 in. x 55.12 in.; hand coloured. Title inscription continues: First settled by…
The Reception of Rev. J. Williams at Tanna
George Baxter (1804-1867), The Reception of the Rev. J. Williams at Tanna in The South Seas The Day Before He Was Massacred, hand-coloured lithograph, in fine gilt frame with label verso 'JAs. Fenwick, Carver, Gilder & Print Seller, Dundee', 9.06 in. x 12…
Lonsdale Street Melbourne, c.1890
Lonsdale Street Melbourne colour photo-lithograph, c.1890 Phillip-Stephan Photo Litho & Typographic Process Co. Ld. 11.22 in. x 14.17 in. (matted, 11.22 in. x 14.17 in. x 20.28 in. x 22.05 in. overall).
Melbourne Law Courts - 1890 Color Lithograph
Law Courts Melbourne colour photo-lithograph, c.1890 Phillip-Stephan Photo Litho & Typographic Process Co. Ld. 11.22 in. x 13.78 in. (matted, 11.22 in. x 13.78 in. x 20.28 in. x 22.05 in. overall).
Jacks' Bloomsday Book: Limited Deluxe Edition
Robert Jacks Robert Jacks: his Bloomsday book. (Melbourne: Macmillan Art Publishing, 2004.) Folio, embossed with an original collage design by the artist on front panel, housed in striking red and black clamshell box, illustrated throughout and accompanied
The Lady Nelson: A Small Ship with Big Achievements
View of the Lady Nelson in the Thames wood engraving from 'The Narrative of a Voyage of Discovery, performed in His Majesty's Vessel the Lady Nelson in the years 1800, 1801, and 1802...' by James Grant, published in London in 1803. 5.51 in. x 7.68 in.…
Berrys Bay Etching by Lionel Lindsay
Framed Lionel Lindsay etching, signed, Berrys bay no: 26/30, 7.87 in., 10.63 in.
Framed Trout Engravings Set
Set of 4 framed trout engravings including salmon Galway sea bull trout & Alpine Charr
Hobarton Engraving by Hullmandel & Walton
Framed engraving, Hobarton by Hullmandel & Walton, 5.51 in., 8.27 in.
Los Chinchillas Engraving by Francisco de Goya
Francisco de Goya (Spanish 1746-1828) Los Chinchillas, engraving, 8.15 in. x 5.94 in. (plate)
Capitals and Ruins in Cora
Luigi Rossini (Italian 1790-1857) Capitals and Ruins in Cora 1825, engraving, 18.50 in. x 23.23 in. (plate)
Ancient Excavations at Carli
Henry Salt (1780-1827) Ancient Excavations at Carli, aquatint, published 1809, plate 16.93 in. x 24.02 in.
Cogne's Botanical Gardens, 1863
After Francois Cogne (1829-1883) botanical gardens 1863, hand coloured engraving, plate 10.24 in. x 14.17 in., small tear to lower margin, slight foxing
Marius Bauer Etching, Signed with Monogram
Marius Bauer (Dutch 1867-1932) etching, signed with monogram in pencil lower right, plate 6.50 in. x 4.53 in.
Tombs near Etaya: Hand-Coloured Engraving
After Thomas Sutherland, Tombs near Etaya, hand coloured engraving, plate 7.28 in. x 9.84 in.
Hand-Coloured Engravings of Venice by Canaletto
After Canaletto, three views of Venice, hand coloured engravings, Campo Santa Maria Formosa, Sant Maria Zobenigo and another, after Canaletto, Campo Santa Maria Formosa hand coloured engraving
Rome View
Edward Lear, View of Rome lithograph, published 1841, image 20.08 in. x 13.39 in.
Captain Cook Engraving and Mezzotint Portrait
Portrait engraving of Captain James cook, engraved by Mr Thornton from the original picture in the Possesion of G W Anderson Esq, published by Alexander Hogg at the Kings arms, Paternoster row, London, Jan 16, 1786, framed, together with a framed mezzotint
Birdseye View of 1886 Sydney with Historic Vignettes
1886 plan of Sydney., 'Birdseye', view of the city under three, historic vignettes. Pub. By John Sands, lithograph 16.93 in. x 20.47 in.
Colonial Sydney Harbour Views and Peake of Teneriffe Engraving
Two Colonial Sydney harbour views. Berry's bay & Sydney heads, after Robert Wendel, as pub. In the New South Wales album, c1878. Chromolithograph (5.91 in. x 7.87 in.), each. Also the Peake of Teneriffe as published in, 'Voyage to New South Wales',…
"Martin Place" and "St James" Etchings by G. Marler
G Marler, (Warner, a E 1879-1968), -2, 'Martin Place', &, 'St James', etchings (2), 5.91 in. x 4.13 in. (each)
Transporting Wool
G Marler, (Warner, a E 1879-1968), -2, 'The long Haul', (4.33 in. x 8.66 in.); &, 'Loading Wool', (4.33 in. x 8.66 in. x 5.31 in. x 6.69 in.), etching (2)
Etchings by G. Marler (Set of 3)
G Marler, (Warner, a E 1879-1968), -3, 'Newington', (4.13 in. x 5.91 in.), 'Shore', 4/90 (4.13 in. x 5.91 in. x 5.91 in. x 4.13 in.), &, 'Grammar', 36/65 (4.13 in. x 5.91 in. x 5.91 in. x 4.13 in. x 4.13 in. x 5.91 in.), etching (3)
Australian School Etching Pair: Warner and Lindsay
Australian school, (2), a E Warner (1879-1968), 'Resting', 23/45 (6.89 in. x 7.09 in.); & Jodi Lindsay, 'The cottage Pairint', 1987, 4/10 (6.89 in. x 7.09 in. x 4.33 in. x 5.71 in.), etching (2)
Early Sydney Views by Watling James Heath
After Watling James Heath, Thomas, 8 early Sydney views, including. North view of Sydney cove taken from the end of Pitt's row; the Brickfield hill or high Road to Parramatta, August 11, 1796; by water to Parramatta with a distant view of the western mount
Early Australian Fauna Engravings and Lithographs
Vincent Woodthorpe early Australian fauna Pairints. (3), 'Emu', hand-coloured copper engraving from Barrington's, 'History of NSW', (7.48 in. x 4.72 in.), 'Le Potouroo...', pub. Pourrat F. Paris, hand-coloured engraving (7.48 in. x 4.72 in. x 4.72 in. x 7…
British Engraved Naturalist Prints (2)
Frederick Nodder, & Shaw, George (British 1751-1813), 2 various engravings, one from, 'Naturalists miscellany, 'Kiwi', (5.91 in. x 4.13 in.; &, 'Aurelius Butterfly', (5.91 in. x 4.13 in. x 4.33 in. x 6.69 in.), hand coloured engraving (2)
Botanical Collection: 30 Etchings & Lithographs
Folio of 30 botanical etchings & lithographs. Approx. 10.24 in. x 7.09 in. (each)
Spotted Orchid Plate from 'Hortus Eystettensis' Folio
Besler, Basilius (German 1561-1629), 'Asphodelus Maior Albus', (spotted Orchid), plate from botanical folio, 'Hortus Eystettensis', pub. Nuremburg, 1613, hand coloured copper engraving, 18.90 in. x 15.75 in.
Georgian Portrait Miniatures in Gilt Frames
A pair of late Georgian portrait miniature etchings, a man and woman, hand coloured, in oval cavetto and leaf moulded gilt frames. 7.87 in. x 7.09 in.
Coloured Equestrian Engravings of Great St Leger Winners
A set of six equestrian engravings, Winners of the Great St Leger Stakes at Doncaster by (after) John Frederick Herring Snr, later coloured in oils, each gilt framed. 11.81 in. x 15.75 in.
Hand Coloured Hunting Engravings by George Wright
Pair of hand coloured hunting engravings, After a Good Day' and 'A Meet at the Cross Roads', after the paintings by George Wright, published by Savory. 11.81 in. x 17.72 in.
Garth Tapper Screenprint: Prosecution (53/99)
Garth Tapper, Prosecution', screenprint 53/99, signed, entitled and numbered. 8.66 in. x 5.91 in.
New Zealand Bird Linocuts by Hilda Wiseman
Hilda Wiseman (1894-1984), Tieke (saddleback) and K?ruhiruhi (pied shag), two linocuts, monogrammed in the plate. 2.17 in. x 2.76 in. and 2.17 in. x 2.76 in. x 3.35 in. x 2.95 in.
Anihana': Maori Chief Portrait
Robert Frederick Way (1872-1947), Anihana' (a portrait of a Maori chief), etching, signed and entitled. 12.20 in. x 8.27 in.
Exhibition Etchings: Impressive 35x40cm Pair
A pair of great exhibition etchings 13.78 in. x 15.75 in.
Florence View by Len Annois (1955)
William Leonard Annois (1906-1966) a view of Florence, 1955 lithograph editioned, titled, signed and dated lower left, centre and right on image: 10/10a a view of Florence Len Annois '55 15.55 in. x 21.65 in.
Monochrome Etchings of Busts
A set of three monochrome etchings depicting the busts of Ercole, Vibio Volusiano and Busto Incognito 15.75 in. x 11.42 in. Provenance: 'The contents of Dysart House', Mossgreen, Melbourne, October 2011, lot 406
19th Century English Steel Engravings: Princess Amelia and Spanish Sisters
English,A 19th century, iA The Princess Amelia, II the Spanish sisters a pair steel engravings, English, 19th century i the Princess Amelia inscribed on margin: Sir T Lawrence. F.R.A.Pinx 9.45 in. x 7.09 in. (image size) II the Spanish sisters inscribed…
"Balinese Girl" by Vladimir Tretchikoff
Vladimir Tretchikoff (South African 1913-2006) Balinese girl coloured print unsigned 25.20 in., x 21.26 in.
Microphone Singer
After Fernand Leger (1881-1955), Singer at the Microphone, lithograph, edition 33/180, 25.98 in. x 19.69 in.
Illustrated Times' Bound Volumes 1856-1858 with Engravings
Newspapers 'The Illustrated Times, Weekly Newspaper' (London) bound volumes for July to December 1856 and January to June 1858, covers poor and some faults, however wonderful range of engravings throughout.
"Tzara with Monocle" by Sonia Delaunay
Sonia Delaunay (1884 - 1979) Tristan Tzara with his monocle lithograph, signed in pencil lower right, 14.57 in. x 6.30 in., from a 1977 limited edition of 25.
"Litho-Litho" by Roy Lichtenstein
Roy Lichtenstein (1923 - 1997) 'Litho-Litho' lithograph in colour signed in pencil lower right, dated 1970 and editioned 2/54, publisher's blind stamp in lower margin. 35.04 in. x 47.64 in.
The Lost Anchor
Robert Gibbings (Irish, 1889 - 1958) the lost anchor 1936 wood engraving, initialed R.G. In the plate lower right signed in lower margin; from a limited edition of 200 9.06 in. x 8.66 in. (image)
Tea Industry of India, Ceylon, Sumatra, and Java
G0reat Industry Where our tea comes from India. Ceylon. Sumatra. Java, 1937 colour lithograph, signed and dated in image lower right, 398.43 in. x 25.20 in. Linen-backed. Leslie MacDonald Gill (British, 1884-1947). A great Industry Where our tea comes…
"Angliae Regnum" by N. Visscher II (1694)
Nicholaes Visscher II (1649 - 1702) Angliae Regnum. 1694, copperplate engraving, hand coloured, 22.05 in. x 19.29 in.
Interior View of Colosseum by Manglard (1753)
Adrien Manglard (1695 - 1760) Prospetto interno dell'Antiteatro Flavio, chiamato Coloseo dalla Statua Colossale, che era nel Capo della via Sacra. Copper engraving, dated 1753 11.81 in. x 21.65 in.
Albany, WA: 2 Original Hand-Coloured Lithographs
Two Louis Auguste de Sainson 1800 - 1887 original hand coloured lithographs of Albany, W.A (i) Port du Roi Georges hand coloured lithograph plate 23 8.27 in. x 12.99 in. (ii) Vue du port du Roi Georges hand coloured lithograph plate 16 8.27 in. x 12.99 in…
Original Hand-Coloured Lithographs of Australian Aboriginal Inhabitants
Four George French Angus 1822 - 1886 original hand coloured lithographs (i) The Aboriginal Inhabitants: implements and utensils colour lithograph 18.50 in. x 13.39 in. (ii) Portraits of the Aboriginal Inhabitants, four men; from the Battara tribe, river…
"Prosecution" Screenprint by Garth Tapper, Signed & Numbered
Garth Tapper, Prosecution', screenprint 46/99, signed and entitled. 8.66 in. x 5.91 in. unframed
Shrewsbury: 18th Century Perspective View
An 18th century wood engraving, Perspective View of Shrewsbury in Shropshire'. 7.48 in. x 11.61 in.
Diderot's Engravings: Science, Arts, and Mechanics
Dennis Diderot 1713-1784, circa 1770 eight framed copper plate engravings from the third edition of 'Recueil de planches, sur les sciences, les arts libe'raux, et les arts mechaniques', information attached to verso of each frame, 14.57 in. x 9.45 in.
"Anticipation" by Rodney Fumpston
Rodney Fumpston, Anticipation', screen print, signed, entitled and numbered 22/100. 37.80 in. x 26.97 in.
"Island Bay" Screen Print by Gordon Crook
Gordon Crook, Island Bay', screen print, initialled, entitled, dated '80 and numbered 5/10. 38.98 in. x 26.77 in.
19th Century Lithographs of Musicians
Two lithographs depicting musicians, 19th century, one after Jacobus Ludovicus Cornet depicting a lute player 1815-1882, signed and dated on the image J.L. Cornet 1859, the second engraved by John. H. Robinson depicting a female mandolin player, lute playe
Architectural and Figural Studies Collection
A collection of architectural and figural studies including a view of London, a view of Westminster bridge, J.W. Edy, published March 1792 by J Harris and others, engravings on paper, two in walnut and gilt frames, eleven unframed (13), 21.26 in. x 30.31…
Golden-Silver Screenprint: One at a Time
Max Gimblett, One at a Time, unique screenprint with gold and silver leaf, title inscribed, signed and dated 2011 verso, 14.57 in. x 10.63 in.
Egyptian Etching: "Rodney Fumpston"
Rodney Fumpston, Egypt six, two plate etching, AP, title inscribed and signed, 25.98 in. x 29.72 in.