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A Chinese carved cinnabar lacquer vase with stand 19th century, the body of the vase relief carved all over with the sanduo (peaches, pomegranates and finger citron) amongst chrysanthemum, lotus, magnolia, peonies, plum blossom and other flowers, between ruyi and lappet borders, the stand decorated with scrolling peonies, 13.98 in. high, 9.06 in. diameter. Provenance: old paper lable to the base of the stand reading 'Ovington's New York 9-17863'.

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  • Cinnabar - Cinnabar is an intense deep red colouring agent that has been in use for thousands of years, derived from crystalised red mercuric suphide. It is made into a coating by grinding ore into a fine powder then mixing the powder with lacquer made from the sap of the Rhus tree, which grows in East Asia.

    As applied to Oriental antiques, cinnabar refers to successive layers of laquer applied to the metal base of an object. Once the coating has dried and hardened, a further layer is applied. The layers continue to be applied until the thickness is 3 to 6 mm, and this may take up to 200 to 300 coats. At this stage, the surface is ready for the carving, that is characteristic of cinnabar items.

    Because of the labour required, cinnabar items are usually small, such as vases, boxes, trays and snuff bottles.

    However buyers should be aware that the cinnabar technique has been copied using modern plastic type materials that are moulded rather than carved. A close examination of a genuine cinnabar item under a strong magnifying glass or jewellers loupe should show evidence of the many layers that make up its thickness, and possibly tool marks left by the carver.
  • Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.

    The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.

    Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.

    The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.

    In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.

    In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.

    In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.

    In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology

  • Lappet Decoration - In the context of furniture, ceramics, and oriental wares, the word "lappet" refers to a decorative motif that consists of a repeated pattern of stylized or abstracted "lappets."

    A lappet in this context is a decorative element that resembles a small, hanging flap of cloth or fabric, but rather are stylized patterns that resemble the shapes and folds of lappets. They can be found on a wide range of objects, including furniture, vases, bowls, and plates.

    Lappet decoration can take many different forms, but typically consists of a series of semi-circular or pointed shapes that are repeated in a continuous pattern. The shapes may be simple or highly ornate and may be arranged in a regular or irregular pattern. The design may also include other decorative elements, such as floral or foliate motifs.

    Lappet decoration is often associated with Asian design traditions, and can be found on a wide range of objects from these regions, including Chinese porcelain, where lappet decoration is often used as a symbol of abundance and prosperity, and is believed to have protective and auspicious qualities.

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A Chinese carved cinnabar lacquer vase with stand 19th century,…