Norwegian silver and plique-a-jour sugar tongs, in the manner of Marius Hammer, with later English hallmarks, length 4.53 in.
- Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
- Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.
The hallmark will consist of several marks, including the:
- silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.
- the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.
- the date mark, usually a letter of the alphabet in a particular font and case,
- a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890
The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.
Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
- Plique-A-Jour - Plique a jour, which translates from the French as “glimpse of daylight” is a method of enamelling in which the backing is removed or cut away so the light shines through, with a similar effect to a stained glass window. The enamel is held in place by border.
Although the technique of plique-a-jour has been known and in use since the 6th century, it became popular again in the late 19th century, in Russia and Scandinavia. Plique-a-jour was popular in the Art Nouveau period, especially for jewellery.
Because of the length of time required to produce an item, and the high failure rate, production was limited, and the technique is little used today.
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