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Chinese Porcelain Carp Jar

A large Chinese porcelain jar, squat ovoid, painted in polychrome with carp amongst water weeds, stiff leaves and lappet panels decorate the shoulder and foot. Six character Jiajing mark under the base. diameter 14.96 in.

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  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Polychrome - Made or finished in many colours. For furniture, it is used to indicated a painted finish.
  • Lappet Decoration - In the context of furniture, ceramics, and oriental wares, the word "lappet" refers to a decorative motif that consists of a repeated pattern of stylized or abstracted "lappets."

    A lappet in this context is a decorative element that resembles a small, hanging flap of cloth or fabric, but rather are stylized patterns that resemble the shapes and folds of lappets. They can be found on a wide range of objects, including furniture, vases, bowls, and plates.

    Lappet decoration can take many different forms, but typically consists of a series of semi-circular or pointed shapes that are repeated in a continuous pattern. The shapes may be simple or highly ornate and may be arranged in a regular or irregular pattern. The design may also include other decorative elements, such as floral or foliate motifs.

    Lappet decoration is often associated with Asian design traditions, and can be found on a wide range of objects from these regions, including Chinese porcelain, where lappet decoration is often used as a symbol of abundance and prosperity, and is believed to have protective and auspicious qualities.
  • Jiajing Mark - The Jiajing mark on Chinese porcelain refers to the reign mark of the Jiajing Emperor (r. 1521-1567) of the Ming Dynasty in China. The mark usually appears as six characters in underglaze blue on the base of the porcelain object and indicates that the object was made during the Jiajing period of the Ming Dynasty.

    The Jiajing reign was a time of great artistic production and experimentation in China, particularly in the field of porcelain. The Jiajing Emperor was a patron of the arts and his reign saw the development of new decorative techniques and styles, including the use of underglaze blue decoration, which became a hallmark of Ming Dynasty porcelain.

    It should be noted that not all porcelain objects with a Jiajing mark are necessarily from the Jiajing period, as the mark has been copied and imitated by later generations of potters.

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A large Chinese porcelain jar, squat ovoid, painted in…