Rosewood Torchere with Inlaid Carving and Barley Twist Base
Antique rosewood torchere, with inlaid and carved top supported by a barley twist tripod pedestal base, 33.46 in. high
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- Barley Twist - The leg, and frequently other uprights such as columns, chair frames, spindles and stretchers, are turned in fairly wide and deep spirals, usually slightly rounded. Also known as the 'Jacobean twist' and common on the dark stained Jacobean Revival furniture of the 1930s and 40s.
As a rule, the twists on opposite uprights should move in a contrary direction. Thus, if the spiral on a right side is clockwise, that on the left side should move in a counter-clockwise direction.
This is also true of rope-twist or cable-twist turning, a nautical term that came into fashion after Nelson's victories over the French fleet. The essential difference is that with rope twists, the spirals are more finely turned on the lathe and placed closer together, than they are with barley-sugar turnings. - Rosewood - A dense timber that varies in shade to very light brown to almost black. When rosewood is cut and sanded the colour of the timber will turn black, and after polishing and exposure to daylight, the surface will gradually lighten over time to light brown with black streaks.
The name comes from the odour emanating from the timber when it is planed, sanded or cut.
Rosewood was very popular for use in Victorian furniture in the second half of the 19th century, and at that time most of the rosewood was imported from Brazil. However it also grows in India and Indonesia.
It is used in the sold for chairs and table legs, but for carcase furniture such as side cabinets and bookcases, and for table tops it is always used as a veneer. - Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
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