Wedgwood basalt candlestick neo-classical design, 8.66 in. height, together with a Wedgwood Ferrara pattern transfer printed basin, 11.42 in. diam.
- Basalt - Basalt is a hard, dense volcanic rock formed from the rapid cooling of basaltic lava, and makes up most of the earth's oceanic crust.
However it is also the name given by Josiah Wedgwood in 1768 to a fine black unglazed porcelain which he called Wedgwood Black Basalt.
Using this fine-grained stoneware he was able to produce copies of the newly excavated Etruscan pottery from Italy, with a lustrous and smooth, surface, and this new innovation proved to be a huge commercial success.
- Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).
Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.
When he returned to England he became the Court Architect to George III (1738-1820).
In turn, designs by Adam then influenced Hepplewhite.
Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern.
- Transfer Printed / Decorated Transferware - Transfer printing is method of decorating ceramics, reducing the cost of decoration when compared to employing artists to paint each piece. A print was taken on transfer-paper from an engraved copperplate, covered in ink prepared with metallic oxides, and the image on the paper was then applied to the biscuit-fired ceramic body. The print was fixed by heating the object in an oven, and then glazed, sealing the picture. Early transfer prints were blue and white, as cobalt was the only colour to stand firing without blurring. Early in the 19th century advances in the composition of the transfer paper resulted in better definition and detail, and enabled engravers to combine line-engraving with stipple.
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