Edo Period Japanese O-Yoroi Armor

• Kamakura Period - The Kamakura period was a period in Japanese history that lasted from 1185 to 1333. It is named after the city of Kamakura, which served as the de facto capital of Japan during this time.
  
  The Kamakura period began with the establishment of the Kamakura shogunate by Minamoto no Yoritomo, who had defeated his rivals in a series of battles and was granted the title of shogun by the emperor. The shogunate was a military government that was based in Kamakura, and it marked a shift away from the traditional imperial system of government in Japan.
  
  During the Kamakura period, Japan experienced a period of relative stability and economic growth. The samurai, who had previously been only one part of the complex aristocratic hierarchy, became the dominant military class and the backbone of the shogunate's power. The period also saw the rise of the warrior code of bushido, which emphasized loyalty, courage, and honor.
  
  The Kamakura period also witnessed a flowering of culture and art, with the development of new forms of poetry, drama, and visual arts. The Zen sect of Buddhism also gained popularity during this period, and had a significant influence on Japanese culture and philosophy.
  
  The Kamakura period came to an end in 1333, when the Kamakura shogunate was overthrown by Emperor Go-Daigo in a period of political turmoil known as the Kemmu Restoration. Nevertheless, the period remains a significant and influential era in Japanese history and culture and continues to inspire scholars and artists today.
• Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.
  
  The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.
  
  Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.
  
  The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.
  
  In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.
  
  In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.
  
  In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.
  
  In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology
  
  

• Mon - A mon is a Japanese heraldic emblem, indicating the status or the family of the owner, similar to a family crest. Nowadays almost all Japanese families and many businesses have a mon.
  
  In decorative arts, mon are used as a decorative element on a vase, plate, bowl or item of furniture.
• Edo Period, Japan - The Edo period in Japan lasted from 1603 to 1868. During this time, Japan was ruled by the Tokugawa shogunate, a military government led by the Tokugawa family. The Edo period is characterized by a period of relative peace, stability, and economic growth, as well as by the development of a distinctive culture and society.
  
  During the Edo period, the capital of Japan was moved from Kyoto to Edo (modern-day Tokyo), and the country became increasingly isolated from the rest of the world. The shogunate implemented strict policies to maintain control, including the restriction of foreign trade and travel. However, despite this isolation, the Edo period saw significant cultural and artistic development, including the emergence of the ukiyo-e woodblock print tradition, the growth of Kabuki theater, and the flourishing of a vibrant merchant culture.
  
  The Edo period ended with the Meiji Restoration of 1868, which saw the collapse of the shogunate and the restoration of imperial rule.
• Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
  
  For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
  
  Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

• Chinese silver
  • bowls and baskets 595
  • plates and trays 280
• Japanese yoroi Samurai - armour 34