A Georgian silver mounted coconut bowl with shield plaque and griffin crest, 18th/19th century, 4.13 in. high
- Griffin / Griffon / Gryphon - A griffin, also known as a griffon or gryphon, is a mythical creature with the body of a lion and the head of an eagle. It is typically depicted as a powerful and majestic beast, with the body and legs of a lion and the head, wings, and talons of an eagle. The griffin is widely recognized as a symbol of strength, courage, and guardianship, and has been used in a variety of cultures throughout history.
In ancient mythology, the griffin was often associated with the gods and was considered a symbol of divine power. In ancient Greece, for example, the griffin was associated with the sun god Helios, while in ancient Egypt, it was associated with the goddess Hathor. In medieval European heraldry, the griffin was used as a symbol of strength, valour, and protection, and was often featured on the coats of arms of noble families.
- Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
This item has been included into following indexes: