Australian Marquetry Kitchen Table with Specimen Wood Inlays
An unusual Australian folk art kitchen table, mountain ash and kauri pine with marquetry specimen wood inlaid top including cedar, blackwood, elm, ash etc., circa 1930, 29.53 in. high, 57.09 in. wide, 31.89 in. deep
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- Blackwood - One of the best known and most widely used Australian timbers, blackwood (acacia melanoxylon), is a member of the Acacia (wattle) family and grows in eastern Australia from about Adelaide in South Australia, as far north as Cairns in Queensland.
The largest, straightest and tallest trees come from the wet forest and swamps of north-west Tasmania where it is grown commercially.
Blackwood timber colours range across a wide spectrum, from a very pale honey colour through to a dark chocolate with streaks of red tinge.
The hardwood timber has been commonly used in the production of furniture, flooring, and musical instruments in Australia from the late 19th century. However, the straight grain timber is not the most prized or valuable, that honour falls to blackwood with a wavy, fiddleback pattern, which is used both in the solid and as a veneer. Fiddleback was only used on the finest examples of furniture. - Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
- Kauri - An evergreen conifer tree associated with New Zealand, but also grown in northern Australia, and islands around the Pacific rim including Borneo, Vanuatu and New Guinea. The timber is generally golden in colour, and straight grained without much knotting.
A by-product of the kauri tree was the kauri gum, the fossilised resin extracted from the tree. The gum was obtained through digging, fossicking in treetops, or more drastically, by bleeding live trees. Kauri gum was used in the manufacture of varnishes and other resin-based products, and also crafted into jewellery, keepsakes, and small decorative items.
Kauri forests were prolific in the north of the North Island of New Zealand. European settlers in the 1700 and 1800s realised that the timber from these tall trees with broad trunks would be ideal for ship building and construction and a thriving industry was established harvesting the kauri tree. The forests were substantially reduced, and now the remaining Kauri trees that grow in New Zealand are protected, and there are reserves in various areas of the North Island.
The remaining stands of kauri in New Zealand are under threat from "kauri disease", a microscopic organism that causes dieback in the trees, with vast tracts either dead or dying. - Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Marquetry - In marquetry inlay, contrasting woods, and other materials such as ivory, shell and metal are inlaid either as panels or in a single continuous sheet over the surface of the piece. The design may be straightforward, such as a shell pattern or a basket of flowers, or it may be infinitely complex, with swirling tendrils of leaves, flowers and foliage, such as one finds, for example, in the "seaweed" patterns on longcase clocks of the William and Mary and Queen Anne periods.
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