Edwardian Sheraton Revival satinwood & marquetry mantel clock, with gilt metal swing handle, urn shaped finials and ogee bracket feet, 7.87 in. high
- Edwardian - The Edwardian period of English furniture and decorative arts design is named for Edward VII (1841 – 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910. It follows the Victorian period, in turn was followed by the Art Nouveau and Art Deco styles. In Australia, designs of this period are also known as being in the Federation style.
- Satinwood - Satinwood is a dense pale gold coloured timber that was imported into Britain in the second half of the 18th century, and early 19th centuries from the East Indies and the West Indies. The name derives from the satin-like surface sheen when the timber is polished.
It was used in the solid, as a veneer and in inlays. As well as furniture, satinwood was used for making musical instruments, barometers, boxes and clocks.
It will usually be found on only the very best quality objects, presumably because of of its cost at the time.
- Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.
Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
- Thomas Sheraton - Thomas Sheraton (1751-1806) was born in Stockton on Tees in the north of England. He was apprenticed to a local cabinetmaker and after working as a cabinetmaker, Sheraton moved to London about 1790. Although he described himself as a cabinet-maker, like Chippendale, no definite piece of furniture can be traced to him as maker. Nevertheless, he was immensely influential and in 1791-4 published his four volume book 'The Cabinet-Maker and Upholsterer's Drawing Book'. The books were used as source of design by the furniture-making trade , who often simplified or modified the designs to suit their own preferences. Sheraton furniture is marked by restraint and sophistication, elegance and discretion, though he also found time to invent fanciful combination furniture.
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