Price Guide to Antiques & Collectables
This item has been sold, and the description, image and price ($US) are for reference purposes only.

Early Australian Cedar Chest of Drawers by Lawrence Butler

Australian cedar chest of drawers, An important early Australian casuarina, beefwood and cedar chest of drawers, attributed to Lawrence Butler c.1820 (perhaps with changed handles). Previously sold by Bonhams, lot 26, 'The Dale Frank collection of early Australian Furniture'. 20/11/2011. The rectangular cedar top with beefwwod cross-banding within a pine strung border, with a triple reeded edge above four long casuarina and beefwood cross-banded drawers with cock beading and pine stringing. Solid cedar sides, raised on elegant ring turned casuarina feet. 42.52 in. wide, 19.69 in. deep and 40.16 in. high. Note Lawrence Butler, 1750-1820, was Australia's first furniture maker of note. Born in Ireland, he was transported to Australia for his participation in the Irish Rebellion of 1798. He arrived in Sydney in 1802 on the 'Atlas', and was immediately employed in the Lumber Yard. Butler was granted a conditional pardon in 1813. His first commercial advertisement can be found in the Sydney Gazette of 1811, describing him as a cabinet maker and upholsterer at Pitt St. He remained at this address until his death. His workshop was of some size, employing several journeymen and apprentices. References Australian furniture, pictorial history and dictionary 1788-1938, Kevin Fahy and Andrew Simpson, Casuarina Press, Sydney, page 32.

You must be a subscriber, and be logged in to view price and dealer details.

Register Now to view actual auction price for this item.

  • Casuarina - Casuarina, is also known as beefwood (because of its appearance) she-oak, swamp oak, river oak, forest oak and Botany Bay wood. It is a native Australian hardwood, red brown in colour with dark flecks.
  • Cross Banding - A decorative veneer, up to about 2 cm wide, laid at right angles to the parallel grain of the main carcase, continuing around the edge of the piece, used around the edges of table tops, drawer fronts, tops of chests and desks, and sometimes on door frames. The cross band may be either in the same or contrasting timber to the carcase and the joint may be sometimes hidden by a line of stringing or herring-bone banding. Cross banding is found on furniture constructed both of solid and veneered timber. Where solid timber is used, a rebate will have to be cut to accommodate the cross band, so that the upper surface of the piece is flush. However, due to the natural shrinkage of timber over the years, the cross banding will have been pushed up in places, and the joint can be felt by the fingertips. If the cross banding is completely flush or even countersunk below the surface of the carcase and shows no other evidence of strain, it may very well have been a more recent addition.
  • Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
  • Reeding - A series of parallel, raised convex mouldings or bands, in section resembling a series of the letter 'm'. The opposite form of fluting, with which it is sometimes combined. Reeding is commonly found on chair legs, either turned or straight, on the arms and backs of chairs and couches and around table edges in the Neoclassical or Classical Revival manner. Reeding was also used as a form of decoration during the Edwardian period, but it is usually much shallower and evidently machine made.
  • Stringing - Fine inlaid lines, in contrasting colour to the carcase timber, found mainly on furniture made in the styles of the later 18th and early 19th centuries. Stringing, which may be of satinwood, pine, ebony, horn, brass or occasionally ivory, is found principally on drawer fronts, around the outer edges of usually tapered legs and French bracket feet, around the edges of inlaid panels and between the joint of the cross banding and carcase timber on table tops, chests of drawers, cabinets etc. The effect is to emphasize the line of the piece and add to the impression of lightness and elegance. Stringing also occurs in Sheraton-revival-style furniture of the later 19th and early 20th centuries.
  • Cock Beading - A thin, slightly rounded timber moulding, projecting about 2mm around the edges of a drawer. It was introduced in the early 18th century, essentially to protect the veneer on the drawer-fronts from damage, though the decorative possibilities of cock beading were soon realized. The device continued to be used well into the 19th century. Cock beading is either glued or pinned to the upper and lower lips of a drawer and into shallow rebates on each side. The joints are neatly mitred, and crude butt joints should therefore be treated with suspicion.
  • Important - Important is a word used in the antique trade to indicate an object should be ranked above other similar objects, and is therefore more valuable.

    The object could be considered important because it is by a famous designer or maker, has been shown at a major exhibition, is of exquisite workmanship, is rare or is a "one-off", was made for an important patron, and so on.

    Even further up the pecking order are objects that are described in catalogue descriptions as highly important or extraordinarily important.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Crossbanding - Crossbanding is a decorative technique used in furniture-making, where thin strips of wood, known as crossbands, are applied to the surface of a piece of furniture to create a decorative border or inlay. The crossbands are typically made of a different type of wood or a different color than the main piece of furniture, and are applied in a geometric pattern, such as a checkerboard or herringbone design.

    Crossbanding was a popular decorative technique in furniture-making from the 17th to the 19th centuries, particularly in the Baroque, Rococo, and Chippendale styles. It was often used to create intricate patterns and designs on the surfaces of tables, desks, cabinets, and other pieces of furniture. The crossbands were often made of exotic woods, such as ebony or rosewood, which were imported from other parts of the world and were highly prized for their rich colors and patterns.

This item has been included into following indexes:

Australian cedar chest of drawers, an important early…