Bronze Sevres Comports with Romantic Scenes, 19th Century
A fine pair of bronze ormolu Sevres comports, 19th century, c1865 each finely hand decorated with a pastoral romantic scene medallion to a gilt enriched floral and ribbon border, upon a turquoise ground and housed in bronze ormolu mounts with scrolling acanthus leaves handles and beaded borders, supported on fluted stems upon octagonal bases, bearing painted Sevres blue interlaced Ls mark and underglaze green 'S.65' date marks for 1865 to the underside. Height 6.69 in., width 9.84 in., diameter 7.48 in.
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- Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
- Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
- Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
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