Spode Regency Tea and Coffee Service, 1805-6
A twenty seven piece Regency tea and coffee service by Spode, 1805-6, pattern 889, in rich polychrome colours with puce and mauve acanthus leaves, gold and iron red flowers and foliage within gilded bands, and comprising six trios, including bute shaped cups, coffee cans and saucers, an additional cup and two saucers, milk jug and creamer, teapot stand, covered sucrier, slops bowl and a low form bowl or plate; variously marked in iron red with the pattern number or Spode underside. Plate diameter: 7.28 in. And other pieces
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- Coffee Can - A coffee can is a cup for holding coffee, but of a cylindrical shape rather than the waisted shape of traditional cups. They were in use at the end of the 18th century and in the early 19th century.
- Regency Period - The Regency period in English furniture design refers to the period when King George III, was declared unfit to rule in 1811, and his son ruled as proxy as Prince Regent, until 1820, and then, after the death of his father as George IV until his death in 1830. The Regency period was preceded by the Georgian period (George I, George II, and George III: 1714 - 1811), and was followed by the William IV period, which only lasted until 1837 when William IV died as was succeeded by Queen Victoria.
- Polychrome - Made or finished in many colours. For furniture, it is used to indicated a painted finish.
- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today. - Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
This item has been included into following indexes:
- Copeland Spode (England), item types
- Copeland Spode (England), patterns - Regency pattern 90
