Chinese Lacquered Cabinet with Bird and Flower Motif

• Chinese Cracked Ice Motif - The Chinese cracked ice decorative motif is a traditional design that was commonly used in Chinese art and architecture, particularly in the Ming and Qing dynasties (1368-1912). The motif is characterized by a pattern of small, irregular cracks or fissures that resemble broken ice.
  
  The cracked ice motif was often used in a variety of decorative arts, such as pottery, porcelain, lacquerware, and furniture. It was also used in architectural elements, such as floor tiles, roof tiles, and wall panels. The motif was typically created by carving or incising the surface of the material, and then filling the cracks with a contrasting color, such as black or gold.
  
  The cracked ice motif symbolizes the idea of "coolness" in Chinese culture, and was often used in architectural elements to create a sense of coolness and shade, especially in hot climates. In decorative arts, it is considered as an elegant and refined design that evokes the natural beauty of ice.
• Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.
  
  The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.
  
  Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.
  
  The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.
  
  In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.
  
  In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.
  
  In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.
  
  In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology
  
  

This item has been included into following indexes:

• Chinese furniture, chairs - chairs, Republic period 52
• Chinese furniture, type or function - storage cabinets 629